This version was presumably created to give the song a sound more suitable for radio broadcast. Wolstenholme described "Starlight" as the hardest song on the album to record, stating it "was one of the songs we went around in circles with, and we recorded maybe six or seven different versions of it." Alternative versions Īn alternative mix of "Starlight", known as the "New Mix", "Radio Mix" or "Radio Version" was distributed on promotional media only. ![]() It is noticeable during the band's performance at Reading Festival 2006 and during HAARP. When the song is performed live, it is transposed a half step down to B-flat major to accommodate Bellamy's deepening voice. It is set in the key of, B major with Bellamy's vocals ranging from G ♯ 3 to B 4. ![]() ![]() It is set in the time signature of common time and composed in a moderate tempo of 121.5 beats per minute with the bridge sped up to 122.5 beats per minute. Īccording to the music sheet published at by Sony/ATV Music Publishing, "Starlight" is an alternative rock song. Bassist Chris Wolstenholme commented that it is "a love song about missing someone, friends, family, someone you love". Bellamy commented that he first wrote the song on a boat in bad weather. "Starlight" was written by Muse lead vocalist Matt Bellamy and produced by Rich Costey. The song was first played live during the Radio 1's Big Weekend festival in summer 2006. It was also the second single released in the United States, reaching number two on the Modern Rock Tracks chart. The song peaked at number 13 on the UK Singles Chart. The lyric " Our hopes and expectations, black holes and revelations" gives the album its title. It was released on 22 August 2006 in the United Kingdom as the second single from their fourth studio album Black Holes and Revelations (2006). The concert film will be released on December 2nd, 2013." Starlight" is a song by English alternative rock band Muse. This live DVD is another strong showing from the Teignmouth titans and a sign that rock, far from the murmurs of a dying genre, is still alive and moshing. If anything, though, this confidence adds to the charm of the performance – and he of all people has earned fame through talent. At times, frontman Matt Bellamy becomes absorbed in his own ego, venturing into the crowd to wild applause and screams. Nevertheless, the likes of ‘Plug in Baby’ and ‘Knights of Cydonia’ still offer an incredible example of the power Muse now possess, and the panning 4k camera shots truly capture the chaotic crowd in a way that makes you feel like you’re in the front row. The music itself is as professionally delivered as ever, although older fans will miss the intimacy of occasional rare gems which have now been replaced by hits from the band’s latest two albums. ![]() Muse have grown a reputation for pyrotechnics and bombast, all of which seems finely suited to the highest available level of picture quality. Shot in 4k (which offers four times the detail of regular HD), the visuals of the gig are spectacular to say the least. Their latest release, a 90-minute concert film taken from a spectacular stadium show in front of 60,000 people, goes some way to justifying this title. It would be fair to say that Muse, with their monicker as “one of the greatest live bands of our generation,” have a lot to live up to.
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